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★★★★★
The Scholar Submits
Yeah, O.K., I'm a Shakespeare scholar -- the kind that writes articles 7 people in the world read (and one of them's my husband, and I think he only reads the beginning and the end). I knew I shouldn't like this book. I was ready not to like this book. I was ready to indulge in a feeding frenzy of nit-picking.
The problem is, I really liked the book. Really. Sure, this is a popular treatment of Elizabeth I's life, but what does that mean? It means that Weir occasionally glosses over complexities and that her prose is jargon free. She doesn't enter any spiral-of-doom of arcane theory, and she seems to have a good time romping around the Renaissance. I couldn't put the darn book down.
Perhaps what shows the honesty of this book is an admission Weir makes herself: she set out to show Elizabeth I's private life, and found she could not. No reader should miss that this is a world in which the very concept of a private life has yet to be articulated in any way familiar to us. Weir didn't come up empty (as she seems to think); she enables us, through her presentation, to realize the ways in which privacy in the Renaissance *isn't*. Weir searched for the inner Elizabeth and didn't find her, making us wonder about the entire issue of interiority.
I wanted more, of course, more subtlety, more arcane documents, a more clearly articulated point-of-view (and less psychoanalysis, though there isn't much). But this book is sound -- and it's not to be condescended to. I dare attach my name to that.
June 2000 · Books